Props to the folks from Vermont PRIDE who made the Third Annual Stonewall Commemoration happen. A nice blend of music, history, and personal reflection, it beautifully celebrated – and remembered – the night 45 years ago when some drag queens in a dive bar were being harassed yet again by the police, as they had been harassed time and again by pretty much all of modern society, and said “fuck this.”
They fought back. And inspired, on that significant queer night, for others to join them. Fought back and reclaimed a little piece of themselves that no one else has the right to take: their pride.
There is more to that night, of course. A lot more. And there’s more history before it, more after it, and the writing of such pages is ongoing. But I’ll save parsing of significant events and analysis to my political scientist husband who graduated summa cum laude and did his honors thesis on the gay rights movement.
For this little blog, and with the little time that I have before I go to work, I wanted to focus on just one aspect of the amazing, moving event: the opening song.
Trevor, an Outright Vermont youth, played an incredible acoustic rendition of the song Fireworks by Kate Perry.
I’m not a Kate Perry fan. Heck, I didn’t even know who she was till he played the song and mentioned her as being the songwriter. Afterwards, so touched by that song and it still resonating in my thoughts, I found her original version on You Tube.
I wouldn’t have thought that one could have a lyric like “Make them go, “Oh, oh, oh”” in a song without it sounding insipid. In Kate Perry’s version, I was right. So I clicked Perry off in mid “oh”, closed my eyes, and heard Trevor’s soft and soulful “Oh, oh, oh”; a voice that brought out the meaning of the lyrics – and here I will give props to Mrs. Perry for penning them — in a way such that tears came unbidden to my eyes.
Right now my current situation is very difficult and I feel oppressed, depressed, and stressed.
Perhaps ironically, being queer is the one thing in my life that isn’t brutally marked by those three things. Sure, oppression is still there; of course it is.
But what I mean is: I am now legally married to my spouse of 18 years and live in a progressive state. I am also out 24/7 and do not put up with homophobic bullshit. So although there is still much – much — work to do with regards to queer rights – especially for Trans folks – I feel mostly safe and secure in my sexuality. Maybe not yet safe as houses, but safe as at least a decent tent.
Right now it is poverty that is causing me the most anguish. I am one of the working poor: I work over forty hours a week at a low-paying, physically-demanding job and feel trapped; locked in an economic closet, as it were.
So trapped, disillusioned, and full of worthlessness, I almost didn’t go to the Stonewall Commemoration.
But Gary and I did and I heard Trevor sing.
The song is about being queer. It is about being poor. It is about being in any situation where you feel like others are in control; a song about feeling worthy no matter what others say or do. About knowing that you are inherently worthy despite circumstances that might make it seem otherwise. About showing that worth no matter what.
My writing is my attempt at showing.
My writing, though, hasn’t been as consistent as I would like it to be; that is, I haven’t been writing consistently. Hard financial circumstances and emotional exhaustion tends to dampen the fireworks of creativity despite the mythical and romanticized view of the starving artist.
My story thoughts have been disjointed and jumbled, all mixed together with trying-to-make-ends-meet ones; the latter casting doubts on the story ones being worthwhile at all. I have had a lot of starts and stops of new stories, fizzling out not because of no story left but because of the fire going out; extinguished by the dark water of despair that insidiously advised me that I wasn’t getting anywhere.
I recently installed the trial version of Scrivener to try to regain some order. It is a writing tool that allows for disjointed thoughts for when the linear is too overwhelming. With it, you can worry about coalescence and cohesiveness later; it encourages you to run with whatever story thread you have at the moment.
This morning I was thinking about how I could best use it when it occurred to me that one of those fizzled stories could have another view added, which would take it in a fresh direction. Using the flexibility of Scrivener, I could start working immediately on some scenes involving that view and worry about compiling them into the whole later.
But I’ll save the immediately for tomorrow, when I have a day off. For now, with the time counting down to the start of my shift, I will let this minor post be a little spark across the sky.